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Tarkvsky might have been the best known soviet director but calling him the best would be a huge injustice to all the other great soviet filmmaker such as Ryazanov.
People who make such claims know nothing about Soviet cinema. Similarly Film Annex or online sites with films serve like libraries with FREE access where one can explore cinema.
For movies that would otherwise be out of circulation, like this one, the model can be a bit different again to the ones that try to incentivize the production of content.
Bank accounts, cars and private property cannot be multiplied recursively and distributed at almost zero cost. The contents of a bank account can indeed be multiplied recursively and distributed at almost zero cost.
Everyone who has ever toiled at a job in exchange for a paycheck has done precisely the same thing. The fundamental issue is incentivization.
The jurisprudence of copyright law justifies the grant of a commercial monopoly in an intellectual work explicitly in order to incentivize the production of intellectual works.
That is the whole reason we have copyright law. There is no robust case in favor of intellectual property that relies solely on justice.
Justice only comes in granted that there are commercial actions being performed on intellectual works. IF there is going to be commerce in intellectual goods THEN it is just that the author has a monopoly on those goods.
But if there is no longer commerce in intellectual goods, there is no purchase for an argument for fairness or justice. People cannot have an arbitrary prima facie right to police the actions performed on intellectual works after they are out of their hands.
The only reason people are disposed to think of this issue as a question of justice is because we are used to the idea of having a copyright. Contrary to your portrait of the persecuted author, anyone who continues to have an expectation of financial gain from intellectual labour in a world where copyright law has become much more than today utterly ineffectual, is being foolish and irresponsible.
It is simply financially unwise. So it really does come down to incentivization. Such a world would have only those artists that can support their creative endeavors themselves.
It would be beneficial to try and implement a model like this sooner rather than later. The conservatism of the content industries is delaying that.
So in answer to your final question, besides it being illegal, and there being a moral obligation to obey the law, I do not see any prima facie injustice in the infringement of copyright.
Kopimi; The file-sharing debate is hereby buried. We talk about better and worse ways of indexing, archiving and copying, not whether copying is right or wrong.
Winter is pouring down the hillside. Make way for spring. More absurdity. Rights exist to protect individuals from the tyranny of the mob.
There is considerably more justificatory weight behind the maintenance of a national economy, and the prohibition of forgery, than there is behind the defense of copyright.
Society does not grind to a halt if artists are no longer given an incentive to produce work. Your analogy is false, but to it I offer another one.
The outlook you profess would have us prohibit the availability of the electric lightbulb because justice demands that the chandler is owed a living.
The traditional jurisprudence of copyright law, and indeed patent law too, frames the law in terms of incentivization. If you have a conceptual problem with that, it is entirely yours.
A person of conscience is mindful of the lives of anyone affected by any transaction. The fact that you would consciously deny economic justice to a group of people whose products you enjoy is contemptible.
I can forgive stupidity, FD, but not the willful denial of justice to people other than yourself. This conversation is over. In the last decade, copyright welfare has suffered its greatest blow.
Despite draconian laws passed at the start of last century, copyright welfare must face the realities of a capitalist competitive society.
I think the equation is clear. Find some other way of earning an income. Just to puncture your hysterical rhetoric: copyright infringement is not theft.
Theft is a crime. Piecemeal infringement is a tort. Tort is addressed not by prosecution but by litigation.
It is a civil matter. Nobody gets deprived of the item on which the infringement is performed. To ignore them is to risk being whipped up by industry propaganda into a moralistic frenzy.
Finally, I can hold my breath for your forgiveness. Your forgiveness for having enough respect for you to discuss an important issue with you over an internet comment stream.
You have to forgive me because I dare to disagree with you, and speak my mind about it. I doubt there is no problem for Criterion having these free to view online.
Bunch of necrophiliacs. There are some works that should definitely be able to be viewed by everyone without cost. Is this the same release?
Made during Communist USSR era. No Copyright. State owns it all. But distributers may have rights to international distribution.
It is not copyrighted all U. This is why you will see photos and posters of WPA photographers for sale. Anyone can just download a high resolution TIFF of the same image and send it off to be printed at Costco for a few bucks.
Sounds really awesome. Tarkovsky has been a great servant to Cinema, one who single-handedly changed its face for the better. Please follow the link to checkout my review of Stalker:.
Thanks for making these available. I was hoping to watch Nostalgia, but the subtitles are in Spanish. Is there not one with English Subtitles as well?
My Spanish is not much better than my Italian. FD argues that copyright is a null idea in terms of getting artistic labour paid for.
It seems that if in the present day artists choose to work for nothing because their output will not be paid for then they are being socially irresponsible.
These arguments may well be logically consistent personally, I reserve judgement but why should we desire a society based only on logical consistency?
TheMillionMen… Exactly. Dismissing artistic innovation from the copyright infringement argument is not only adolescent, its unethical.
Consider this: I value the work of Criterion in making important films look their best. I own several of their DVDs.
Take away the opportunity for someone like me to see films like these for free and I more than likely will never be buying DVDs of those titles in the future.
No money will ever go to any directors, lawyers, studios or Criterion at all. Criterion or Not: the YouTube version linked to is in no way equal in quality or definition to the DVD, has no subtitle or language menus, hence it serves as an inducement to go to your friendly neighborhood Public Library and Make You Own Rips!!!
Tarkovsky was scrupulous that his films be watched in a cinema — this is a pretty poor way of watching them. If you want to watch great films you should get a projector and a screen or project them on a wall — dead cheap these days, I have had one for years.
Wow- what an amazing site. Thanks for you dedication to continude learning. I am so happy! My list of favourites: Tarkovsky first, then 9 empty places, then everybody else!!!
Copyright was a cynical historical accident. Perhaps we could consider other models. How, for example, are academics rewarded?
In the modern world, people somehow seem to expect that most artists should produce their work for free. If you want, you can put out your work for free using a creative commons license or what have you.
Oh my god! Tarkovski in the Andrei Rublev character make feel us most of the themes that he has always passion. Andrei Rublev is an unforgettable character about freedom and searching himself includes loosing and finding ,reaching competence in the art with maturing of soul, interrogating himself with consuming all the possibilities and living the spiritual satisfaction.
Watch it the way it was intended rather than on a fucking ipad. In a dark room, the proximity and definition equate a larger screen further away.
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