James McAvoy (* April in Glasgow, Schottland) ist ein britischer Theater- und Filmschauspieler. Inhaltsverzeichnis. 1 Leben und Karriere; 2 Filmografie. That's how Anne Hathaway, co-star of James McAvoy's in Becoming Jane described her first encounters with James in a behind-the-scenes interview – and. james mcavoy movies.
James McAvoyHeute ist James McAvoy ein gefeierter Schauspieler, dabei hatte er als Kind ganz andere Pläne. Welche das waren und noch vieles mehr lesen Sie auf Gala.de. James McAvoy. Birth Name:James Andrew McAvoy. Birth Place:Scotstoun, Glasgow, Scotland. Profession Actor. James McAvoy (* April in Glasgow, Schottland) ist ein britischer Theater- und Filmschauspieler. Inhaltsverzeichnis. 1 Leben und Karriere; 2 Filmografie.
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Do you have a demo reel? Add it to your IMDbPage. How Much Have You Seen? How much of James McAvoy's work have you seen? User Polls 'Game of Thrones' Prequel Movie Cast When You Think of Little People in the Movies?
Is Acting in Prequels Ever a Good Idea? Nominated for 1 Golden Globe. Known For. Filth Bruce. Atonement Robbie Turner.
The Last King of Scotland Dr. Nicholas Garrigan. Jump to: Actor Soundtrack Producer Thanks Self Archive footage. The Bridge TV Series post-production.
Lord Asriel uncredited. Lord Asriel. Hazel voice. And you know what? Life might kick you in the face, life might not let you do what you want to do, but they always taught me that, you know, "Go for it!
Yeah, you wanna do that? Go for it, son, you've gotta do it. I don't know what I thought it was gonna be. Honest to God, I did a movie and a couple of little TV shows when I was 16, didn't do anything again, got into drama school.
Then I started working pretty much immediately after drama school. I wasn't really aware of what was going on, and I still hadn't really decided that I was an actor.
I hadn't sort of said to myself "Right, this is the rest of my life," because you can't, because there is still a big massive part of me saying, "What if the work dries up tomorrow?
Then I'm not an actor any more," you know? I love going to art galleries. The Tate Modern is one of my favourite things to do.
It's written for an English voice. But it is historically set in a place depicted by Shakespeare as brutal and violent, incredibly superstitious, and that's something that I do believe is Scottish.
It's quite something to behold. He drinks a lot of coffee and he's about four feet taller when his hair's standing up.
He's working on the Olympics Thursday and Friday and doing our film the rest of the time. But especially when you're playing a part as emotionally taxing and dexterous as Alma [Rattenbury] in that play.
And Anne-Marie was rarely off stage. But one of the strengths of her work is that when she goes through something, she goes through it and she doesn't hold back.
Danny [ Danny Boyle ] said something to me the other day - we pay to see actors cry and go through stuff. Not just dramatic feats of action and derring-do but stuff that we wouldn't let ourselves do.
We rarely cry or kiss our partner or devote the time and attention it takes to understand some of the things we're going through. I think Anne-Marie's always done that, and she manages to do it without taking up too much emotional space.
I don't know how she does it. The hours you work are incredible. But beyond that as well, Anne-Marie [wife Anne-Marie Duff ] and I both seem to get the kind of jobs where you put yourself through the wringer.
X-Men [ X-Men: First Class ] wasn't really like that - that was quite nice and chilled out. I just got to float about saying lines that Professor X thought were slightly humorous.
But generally the work we get is quite emotionally demanding. I think I'd love Harry. He's a proper, man.
He's like, "I'm never gonna be the king, it's cool. Can't I just act it, darling? I'm probably more dangerous in a car than I am on a motorbike; on a bike I'm very mindful of the fact that if you make a mistake you're dead.
If you can't empathise and imagine what it is like to be somebody from somewhere else your world becomes very small and you can only do one thing.
I went in there [the RSAMD, now renamed the Royal Conservatoire of Scotland] being able to do 'angry young Glaswegian' and that was about it really.
I came out being able to do a lot of the stuff that I've done. It is one of those parts, those plays, where the audience is willing you to dash yourself on the rocks, both artistically and actually a little bit.
It's all very controlled and we're trying to make sure nothing like that would ever happen of course, but we have to go so far to make people feel like anything could happen, make it seem like we are on the verge of losing control.
That's not only a hard line to ride, it's also an exhausting one. But I'm loving it, absolutely loving it. It is not what you usually expect from me.
It is not Trainspotting It is very Irvine Welsh but it has got its own voice. At the beginning of my career I just set out to hopefully dupe people into giving me any kind of work, and that was a lot of character work.
I was just happy to get anything and I'm lucky that I've not been pigeon-holed too much. I've started to plan things a bit more now, but until the last three or four years I never really planned anything.
What I do as an actor. I don't go, 'What's the truth of this scene, what should I be playing for the truth of this moment? I look at what I want the audience to feel, and I work back from that.
I probably have the audience at the forefront of my mind for most movies, but particularly for Filth , because half the fun of this film is in pulling the audience from pillar to post in terms of how much they can take.
You never quite know where the line is in terms of humour, in terms of your emotional connection to the character, in terms of right or wrong, in terms of your allegiance to him, in terms of your empathy and sympathy, in terms of your repulsion to him.
And just as he's becoming vulnerable and drawing you in, he forces a fifteen year-old girl to give him a blowjob.
So he's constantly moving the line in the sand. And you're constantly asking the audience to cross that line. I don't have a middle name. If I had to take one, I'd like something Scottish like Hamish or Cameron.
When actors are lucky enough to get work their worry starts to become: 'will I get anything as good as that again?
Maybe I need to deal with the fact that I will never get anything as interesting as that again. I don't even mean for the audience, I mean just for myself.
Bruce came easier than any other part I've played, which is terrifying, because he is a demon, he is a proper son of Satan, although the truth he is just like any one of us who has gone horrendously bad.
I actually loved him. I would love to do a skydive, because I like anything to do with heights. But that will have to wait for now.
But I do still use my motorbike. After the birth of [his son] Brendan I was all set to sell it, but my wife insisted it was a part of my personality.
However, I do drive on secure tracks - it's much safer than in normal traffic. You're partly leading the company, helping to set the tone and the example of the work ethic.
You are colouring the production with every choice you make, and you've got to do that on purpose, and not be so precious and gentle with it.
Suddenly, I was around people who weren't afraid of being slightly different or called names, or singing a song, or playing in a band.
I could suddenly stop being afraid to be different, or to aim for something, or to ask for something, or of being bullied. I wouldn't have believed you.
I didn't even think about acting until I was acting. SNP Peter Murrell appeared before a committee of MSPs investigating the Scottish Government's botched handling of complaints against Alex Salmond.
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IMDb Inc. We're sadder, poorer PETER HITCHENS: So is this really an epidemic of despair? Don't blame the public for packed hospitals, urge top doctors after string of medics tell rule-breakers they Proof the Pfizer Covid vaccine works in the real world?